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When was the last time that
*any* sort of memorable music came out of Japan? The endless
string of jpop clones like Ayumi Hamasaki, Megumi Hayashibara and Namie
Amuro? The hit-or-miss composers of anime music like Yoko Kanno,
Shiro Sagisu and Yuki Kajiura? The quirky whateveryouwanttocallit
music from eX-girl or Pizzicato Five? Wrong, wrong and wrong.
More often than not, that's all we know about from the Land of the
Rising Sun, and let me just say here and now that Vio System Divide is
the band that could bring that to an end.
Japan is certainly not known for its rock music. I've heard quite
a bit of it, from the '80s hair rock of Loudness to the '90s grunge stylings of Super Junky Monkey and the new generation of "jrock" bands
like Dir en Gray and Nanase Aikawa. This is nothing like that at
all. Vio System Divide, while not the most original band around,
has crafted a fantastic mix of nu-metal, grind and prog into something
wholly different than all three. I think maybe the closest
approximations may be stuff from The Devin Townsend Band or perhaps
Project: Failing Flesh. There are blast beats aplenty on A
Subliminal Spirit..., nice clean vocals, heavy grooves and a few
electronic noises to boot. It's unexpected and awesome.
Without question, the highlight of the disc is the title track, with a
pounding low-end groove, some keyboard atmospherics and the powerful
voice of guitarist u1-skemaz. His singing style is somewhere
between James Hetfield and Wayne Static, but with better range and
clarity. The guitar lines that he and lead guitarist Chikara lay down
aren't super-technical (i.e. Dillinger Escape Plan or December), but
they're tight and drive the songs along without ever getting boring.
The rhythm section, comprised of blast-beat-loving drummer Taisho and
bassist Mach, always provide a good beat to follow and even get to show
off a bit with some solo action leading into "One Plus One =."
It's kind of hard to find out where to place these guys on the musical
spectrum. Vio System Divide could easily tour with anyone from
Slayer to Iced Earth to Korn to In Flames and vibe with their crowd. As
is the case with DTB, the clean vocals and unchallenging music (the main
riff of "The Spiral" seems to be taken directly from Helmet's
"Meantime") might turn off the hardcore metalheads, while the
overwhelming heaviness and obtuse song titles would make the mallcore
kids go and look for the new Trapt album or some similar bilge.
Really, that's Vio System Divide's biggest commercial hurdle to
overcome, but I think that as long as they continue to pump out quality
albums like A Subliminal Spirit... the listeners will come
from wherever they may be.
Beneath it all, this *is* a very accessible album to any fan of heavy
music. I don't think that there's anything here to turn anyone
away. Plus, it's important to remember that this is a debut album,
so the sky's the limit for this Japanese foursome. Who knows what
future directions they may take?
Rating: All-out Metallurgy! out
of 10
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