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(Honorable
Mention) Do As Infinity - True Song
AvexTrax
I suppose it was bound
to happen. A JPop band makes its way onto my top five list.
Do As Infinity are a pop duet consisting Van Tomiko (WHY DID YOU CUT
YOUR HAIR?!!?) on vocals and Ryo
Owatari on
guitars, with session musicians filling in the rest. They don't write their own songs
(composer Dai Nagao does all their stuff), and I'm pretty sure
Van doesn't write her own lyrics, but they *have* been kicking my ass all
year anyway. Van's voice is audio gold, and their songs vary from
the surf-punk of "Summer Days" to the bubblegummy "Fukai Mori" ("Deep
Forest," the second ED song from Inu-Yasha). The best thing I've
heard from them so far is "Shinjitsu no Uta" ("Song of Truth"), which
features both the samisen and shakuhachi, two traditional Japanese
instruments that make the song seem like it's about a thousand years
old. DAI need to come tour the States soon, or at least get their
damn CDs distributed in North America.
5. Vio System
Divide - A Subliminal Spirit To The Spatiotemporal Extremity
Ah,
those crazy Japanese! If they're not filling my eyes with
animation, my belly with ramen, my brain with にほんご, they're filling my
ears with metal! One of several JMetal bands I listened to this
past year (others include Defiled, Lethal, Ogre and Enforce) Vio System
Divide was by far the best. I guess you could almost call them a
crossover between nu-metal and grind (if that makes any sense), with bits of prog
thrown in for flavour. It's not uncommon to hear blast beats,
clean vocals, synth and death growls all in the same song. Vio
System Divide also gets the award for "Most Unwieldy Song Titles of the
Year," (taking the trophy from last year's winner,
Norma Jean) with numbers like "Apoptosis Down," "Libido in the Cage" and, of
course, the lengthy-titled title track. Way cool stuff, and I'm looking forward
to hearing more from them. By the way, if you're looking to buy A
Subliminal Spirit... and you don't live in Japan, you better have
some good connections, brotha.
4. Devin Townsend
Band - Accelerated Evolution
HevyDevy Records
If you read
my review
already, you know how I feel about Hevy Devy and his projects.
Regardless of that, this is *still* a fantastic album full of great
songs; probably his best work to date. It far out-paces the
latest, more commercially successful, Strapping Young Lad release in
every way but energy. However, SYL's energy was too chaotic to
deliver a cohesive album, and that's where the single-minded focus on
the music in Accelerated Evolution just blows away the
competition. Given Devy's capricious nature, I'm not sure if we'll
see another DTB record, which is a bit of a shame. On the other
hand, if you went to see them play live, you'd get everything from here,
Ocean Machine, Terria, Infinity and Physicist, and that'd pretty much
own every other show you've ever seen.
3. Freya -
As the Last Light Drains
Victory Records
Rising from the ashes
of eco-friendly rockers Earth Crisis comes Freya, who produced an album
that should have gotten a shit ton of radio play but was largely
ignored. The hooks in "Negative Infinity," "April Witch," and "As
the Last Light Drains" are light years better than any mallcore band out
there. There's a similar vibe on As the Last Light Drains
to the one-off band
Handsome. It's just good heavy music.
How Clear Channel Communications didn't pick up on these guys (Clear Channel
finally owns
every radio station now, right?), or why Victory didn't push them harder
is beyond me. It's kind of like how I feel about Century Media
and their mismanagement of Lacuna Coil, who should be where Evanescence
is now. With hard rock music making
its way back into the limelight, there's absolutely no reason why this
shouldn't have been a gold-selling record. Mid-level indies, get
your shit together, okay?
2. Nightrage -
Sweet Vengeance
Century Media
Paraphrasing the
reviewer on DigitalMetal.com, "It would take Tomas Lindberg to outdo
Tomas Lindberg." The former At the Gates singer puts on a freaking
CLINIC in Sweet Vengeance, showing everyone out there how to
scream like you mean it. This album is punishing melodic death
(which is a great moniker, if I may say so) the likes of which has been
a blueprint for stateside bands Darkest Hour, The Black Dahlia
Murder and As I Lay Dying. The production is punchy 'n' crunchy, and the drum
performance by The Haunted's Per Jensen is second-to-none (which you
would expect). If you're looking for a forty-minute ass-kicking,
get yer happy ass in yer car, drive to the record store and BUY THIS
BITCH. Seriously, there's nothing here you don't want.
1. Saosin
- Translating the Name Death
Do Us Part Records
For a 17-minute, five-song EP to
top the list...now THAT's saying something. I read a review of
Saosin on Lambgoat and was intrigued enough to download the MP3 they had
posted. Ho-lee-kuh-rap. Though there aren't many songs on
Translating the Name, they put forth more emotion and passion than
bands like Trapt or Smile Empty Soul will ever release in their whole
career. It's awesome, it's heartfelt and...I'm running out of
superlatives to use here. Of all the CDs I've bought in the past few
months, this one has gotten the most spin-time in my player. I'm
hoping that this EP hasn't given me a false sense of the band.
They're currently working on a full-length album for later this year, so
we'll have to see what comes of these Californians. If it sucks,
you can all say, "I told you so," but I really hope it
doesn't. There's so much promise here.
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